Filmmaker Ro Haber examines ”It’s Pat” through the lens of 2025, trans visibility and their own conflicted recollection of the controversial SNL character played by Julia Sweeney.

Set in a small town in Iran, where a group of people adapt the most popular Iranian films from before the revolution, known as "Film Farsi", without any academic background.

Lin and his best friend sneak into his mom’s Chinese restaurant to pirate DVDs—until his high school crush walks in, forcing him to choose between friends, family, and love.

When Fenix, a lost soul craving something more, tries to re-join her chosen family, to prove her worth, she must play some very dangerous games.

It is an unfinished country. The only thing missing here are the dinosaurs. It’s like a curse that weighs on an entire landscape. And those who are too concerned with it have their share of this curse. It is the only country where creation is still unfinished. If you look closely at what surrounds us, there is a kind of harmony. It is the harmony of overwhelming and collective murder. And we in comparison to the articulated meanness and baseness and obscenity of this whole jungle – er, we in comparison to this enormous articulation – we just sound and look like badly enunciated and half-finished sentences from a stupid and cheap suburban novel.

暂无剧情简介

Three Ukrainian refugees escaped to three different countries: UK, Brazil and Germany. They share with us their journeys, living in Mariupol during Russian occupation and how they are being treated as refugees in different countries.

With the Doomsday Clock the closest it's ever been to midnight, Jane Corbin investigates the proliferation of nuclear weapons across the globe. She visits Los Alamos, home to the United States’ nuclear weapons development facility and the historic home of Oppenheimer’s Manhattan Project. 　　In Scotland, she reveals the strategy behind Britain’s nuclear deterrent, and speaks to campaigners in Suffolk fighting against US weapons they fear will be based on UK soil. Jane also discovers how many of the global agreements and safeguards that have constrained the spread of nuclear weapons since the 1970s are breaking down. 　　This is a story told by the scientists, investigators and diplomats who set the clock and have fought to ensure that the ultimate deterrent has not been used in over 70 years.

Rıfat, 48 anni, vive con la sua famiglia in un quartiere lussuoso della città e lotta contro una malattia. Mentre scoppiano eventi sociali, si rende conto di non avere alcuna speranza di migliorare la sua situazione e di non poter ottenere il sostegno che si aspetta dalla sua famiglia. Dopo che i familiari e il medico se ne sono andati, Rıfat chiama la sua governante e le chiede di dargli una pillola che gli porrà fine alla vita. La governante si trova ad affrontare un dilemma morale e professionale di fronte alla richiesta di Rıfat.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.